Bow Wow>>Vow Wow>>BOW WOW - JAPAN

Bow Wow - 1976 - Invitation
Signal Fire - 1977 - Invitation
Charge - 1977 - Invitation
Super Live - 1978 - Invitation
Guarantee - 1978 - Invitation
The Bow Wow - 1979 - Invitation
Glorious Road - 1980 - SMS
Telephone - 1980 - SMS
X-Bomber - 1980 - SMS
Hard Dog - 1981 - SMS
Asian Volcano - 1982 - VAP
Warning From Stardust - 1982 - VAP
Holy Expedition - 1983 -VAP
Bow Wow #1 - 1985 - Oo
Led By The Sun - Bow Wow #2 - 1996 - Oo
Ancient Dreams - 1999 - Wild Land
Live Explosion - 1999 - Wild Land
Majestic Night - 1989 - 2000 - Wild Land
Beyond - 2000 - Wild Land
Another Place - 2001 - Wild Land
What’s Going On? - 2001 - Wild Land
Super Live - 2004 - 2005 - Victor
Era - 2005 - MARS


S= Solo>>Kyoji Yamamoto>>Solo - Noiz>>Genki Hitomi - Tetsuya Horie - Solo>>KYOJI YAMAMOTO>>Solo
G= Solo>>KYOJI YAMAMOTO>>Solo - Mitsuhiro Saito - Genka Hitomi - Rei Atsumi - Hiroshi Yaeashi - MITSUHIRO SAITO
B= Kenji Sano - Colosseum II, MGM, Gary Moore, Whitesnake>>Neil Murray>>Black Sabbath - Shotaro Mitsuzomo - Kenji Sano
D= Dot Dolls>>Toshihiro Niimi>>Bad Six Babies - Eiji Mitsuzomo - Dot Dolls, Bad Six Babies>>TOSHIHIRO NIIMI


Bow Wow are a prime example of Japanese work ethics. The group was formed in 1975. In addition to the listed albums, there are solo albums recorded. Most full-length albums are interspersed by singles and EPs. The band was Japan's premiere heavy metal band of the '70s with a guitar orientation and only deteriorated in the '80s. The band was offered opening slots for the likes of Aerosmith and Kiss in the '70s. The group appeared at Reading Festival in the UK in 1982.

The Tokyo-based band later changed its name to avoid confusion with Bow Wow Wow. The band’s guitarist Yamamoto had already switched exclusively to the instrument by 1984 and the band had recruited Hitomi to sing. Horie began with the band for the mid-'90s. Neil Murray of Gary Moore, Whitesnake and Black Sabbath fame was on bass (with the band using Vow Wow as a name) in 1987 replacing Kenji Sano. The members had indeed moved to London in 1986 seeking fame and worked on the Phenomena album. Of Tom Galley. The late '90s saw the band revert to the original monicker when the band released a couple of albums and EPs called Still On Fire and Bow Wow #0. A series of albums, compilations and DVDs followed with Yamamoto ending up on vocals again.
,br> Kyoji Yamamoto was appearing in the U.S. for the first time since 1978 for a debut solo appearance in the USA on Saturday, September 24th of 2011. Kyoji would play two instrumental shows at Klub 45 in Manhattan. Playing with Kyoji would be Karl Wilcox, drummer for Diamond Head. The guitarist has an album called Voyager through City Boy Records.


What a disappointment. Waited years to hear the band properly after seeing them years ago on Channel 4’s The Tube as Wow Wow yet this compilation proved the band ineffectual and coy in its style. Still, it was about time the band was heard at Metallian Towers and a recent trip to Japan and a Shibuya record store allowed it to happen.
The cover is a take on the band’s third album, 1977’s Charge, and probably a good representation for this sampler. Bow Wow mixes Japanese and English lyrics. The Theme Of Bow Wow makes an appearance (recalling how compatriots Loudness also had a 'theme') as does an oldie, Eddie Cochran’s Sumemrtime Blues, which is pegged at the end in a seemingly live version. The band’s biggest influence is '70s Scorpions, a band that toured Japan in that decade, and the songs take one back to the days of In Trance and Taken by Force. Bow Wow, however, does not have a Schenker, Roth or Meine in its ranks, and while guitarist Yamamoto displayed some firepower in Vow Wow in the '80s none of that is present in these songs. Only Get On Our Train hauls out the guitar prowess if merely momentarily.
One can only tip his hat at the persistence and service of a band like Bow Wow, but the wow factor is plainly not there. Let them remain a release-rich curiosity. - Ali “The Metallian”


Bow Wow