Mantas>>DEATH - USA

Scream Bloody Gore - 1987 - Combat
Leprosy - 1988 - Combat
Spiritual Healing - 1990 - Combat
Human - 1991 - Relativity
Individual Thought Patterns - 1993 - Relativity
Symbolic - 1995 - Roadrunner
The Sound Of Perseverance - 1998 - Nuclear Blast
Live In L.A. - 2001 - Nuclear Blast
Live In Eindhoven - 2001 - Nuclear Blast
Vivus! - 2012 - Relapse

Death image

Slaughter, Control Denied>>CHUCK SCHULDINER>>Control Denied - Massacre>>Rick Rozz>>Massacre, Genitorturers, Flo, Massacre X, Gods Of Death, Left To Die - Agent Steel, Hallow's Eve>>James Murphy>>Cancer, Testament, Disincarnate, Obituary, Konkhra, Foreign Objects - Cynic, Portal>>Paul Masvidal>>Cynic, Æon Spoke, Death DTA, Onward With Love - EF Band, King Diamond, Swedish Erotica>>Andy LaRocque>>King Diamond, Illwill, X-World/5, Blue Detective - Azrael>>Bobby Koelble>>Junkierush, Nader Sadek, Expedition Delta, Leviathan Project, Death DTA - Metalstorm, Control Denied>>SHANNON HAMM>>Control Denied, Order Of Ennead

Massacre>>Terry Butler>>Massacre, Six Feet Under, Denial Fiend, Corpse Rot, Hideous, Left To Die - Sadus, Control Denied>>Steve DiGiorgio>>Sadus, Testament, Control Denied, Iced Earth, Dragonlord, Quo Vadis, Sebastian Bach, Quadvium, Synesis Absorption, Futures End, Charred Walls Of The Damned, Death To All, Gone In April, Act Of Denial, Spirits Of Fire, Geoda, Terra Odium – Monstrosity>>Kelly Conlon>>Temple Of Blood, Wynterborne, Sargon, Monstrosity, Pessimist – Control Denied>>SCOTT CLENDENIN>>Control Denied

Guillotine, Burnt Offering>>Chris Reifert>>Autopsy, Desecration, Doomed, Abscess, The Ravenous, Painted Doll, Violation Wound, Siege Of Power, Static Abyss - Massacre>>Bill Andrews>>Massacre, Metalucifer - Cynic>>Sean Reinert>>Cynic, Aghora, C-187, Levi/Werstler, Gordion Knot, Perfect Beings - Wargod, Dark Angel>>Gene Hoglan>>Old Man's Child, Daemon, Strapping Young Lad, Testament, Konkhra, Dark Angel, Fear Factory, Forbidden, Viking, Tenet, Unearth, Opeth, Dethklok, Zimmer’s Hole, Anthrax, Pitch Black Forecast, Mechanism, Brendon Small's Galaktikon - Control Denied, Burning Inside>>RICHARD CHRISTY>>Control Denied, Iced Earth, Demons & Wizards, Incantation, Burning Inside, Tiwanaku, Leash Law, Monument Of Bones, Charred Walls Of The Damned, Böar Glüe

History & Biography
One of the early founders of death metal (along with Slaughter, whom Chuck briefly joined in Canada, and Possessed to whose fan club he belonged and also travelled to stay with), the group behind 'Evil Chuck' was heavily influenced by Venom at first and was, in fact, called Mantas at inception. Mantas was active between 1983 and 1984.

At the demo stage (the better-known one being Mutilation of 1986, which was preceded by Rigor Mortis of 1985) the band featured Rick Rozz and Kam Lee of Massacre. Relocating to California, Chuck recruited new members (including Sadus' Steve DiGiorgio for a short while in 1986 and Burnt Offering/future Autopsy man Chris Reifert who did play on the debut record) and released the debut album. Chuck Schuldiner was missing members and was inspired by Canada-based Slaughter so ditched the act and moved to Toronto. This did not last and when he returned to Florida, USA asked two members from Michigan’s Repulsion, namely guitarist Matt Olivo and singer Scott Carlson, to join him. That did not last either as Kam Lee would depart and the Repulsion members would return home to reform Repulsion. Rick Rozz rejoined Death after Chuck moved back to Florida in 1987 and had no band. Rozz was in Massacre and got other Massacre members to join and record Leprosy for 1988. Rozz was kicked out again and reformed Massacre and obtained a deal with Earache later. Since the rhythm section was soon kicked out too they rejoined massacre and the people in Massacre now were booted! Massacre recorded from Beyond. Mantas and Death issued and spread multiple rehearsal tapes into the underground at this stage.

The first three albums (featuring Rozz and other Massacre members upon return at one point) were heavily influential upon the death metal scene. Despite this, Chuck had enough and left his own band shortly before the start of a European tour with Kreator in 1990. The current album Spiritual Healing featured guitarist James Murphy who stayed briefly, which happened with his subsequent acts, enough for Schuldiner to claim the guitarist to be loathed by all other members and despised by the singer/guitarist personally. Chuck Schuldiner would report that Murphy "tried to fuck with me." He cited depression and fatigue and needing to do something for himself. Schuldiner would relate that he was physically and mentally incapable of touring. He was also in the midst of a fight with his former manager. Instead of disbanding, or pausing/postponing, the rest of the band (Bill Andrews and Terry Butler who noted they had tour obligations to fulfil and the Chuck had previously refused a separate European tour offer) recruited Devastation drummer and former roadie Louie Carrisalez on vocals and Rotting Corpse man/Death soundman Walter Trachsler and hit the road supporting Kreator anyway. The Death line-up was not complimentary to Chuck on the road and the animosity grew. They slagged Schuldiner and also claimed he was uninterested in the music anymore and wanted to be in a rock band instead. When Chuck returned (with an entirely new crew, including Cynic's Paul Masvidal and Sean Reinert and Sadus' Steve DiGiorgio for the second time, of course), and the other guys reverted to Massacre, the sound was more progressive than before and the singer/guitarist was more and more into heavy and power metal than death metal. A tour with Pestilence did not go well (aside from how Death had always been accused of giving weak shows) and after much inter-band fighting the trek was cut short. Death also did not climb the stage in Houston, Texas and there was a mini-riot with the cops showing up. The crowd was said to have been too violent. Another concert was cut short when Chuck asked his band to leave the stage citing a thrown bottle from the audience. Individual... again featured a new line-up and the band toured North America with, among others, Viogression who were also managed by Death's manager. That man, Eric Greif, was fired again shortly afterwards. By 1995's Symbolic the logo's flaming inverted cross was gone, although the logo had been in consistent revision previously. This was the only album on Roadrunner before Death moved to Nuclear Blast. Schuldiner would complain about Roadrunner's lack of knowledge of metal and promotion. Schuldiner also found time to contribute a solo to Naphobia's Of Hell album. He and Naphobia's Ryan Robinson were friends.

1996 saw Schuldiner calling it a day and announcing the formation of power metal band Control Denied - in which he only acted as a guitarist. It is only two years later that Death is back on and released a new album on a new label. The members of Control Denied had here transferred over to become Death members. Despite this, Schuldiner called it a day again and announced that the future belonged solely to Control Denied. Sadly in 1999 Schuldiner was diagnosed with a malignant brain tumour and underwent several operations within the next two years. The metal scene was partially mobilized at this point to collect funds for Schuldiner as America does not provide its citizens medical coverage. There was a Thrash Of The Titans benefit show for Chuck Schuldiner of Death and Chuck Billy of Testament, who was also afflicted with cancer, in 2001. Furthermore, Nuclear Blast released a mail order-only live album (second one from Death in 2001) to support Schuldiner with his finances. Despite the aggressive treatment, Schuldiner died of cancer at 16:00 EST on 13.12.2001. He was 34 and died of pontine glioma.

After much legal hassle between Karmageddon Media (formerly Hammerheart Records) and Jane Schuldiner, the mother of Chuck, the said label issued the last recording of the singer/guitarist under his name in the spring of 2004. The album was named Zero Tolerance. Nuclear Blast Records issued a Death DVD entitled Death: Live In Cottbus in November of 2005. It featured the same track listing as the Live In L.A. (Death & Raw) DVD/CD.

In 2008, Kam Lee decided to rerecord early Death and Mantas (pre-Death band) songs he had originally co-written. In 2009, Beth Schuldiner, sister of Death/Control Denied’s Chuck, was compiling the essays and writings of the bands’ fans into a volume dubbed "Symbolic What Chuck's Music Means to Me - The Journeys of Chuck Schuldiner's/Death Fans."

In 2010, Relapse Records announced a partnership with Perseverance Holdings Limited and the Schuldiner family to reissue the catalogue of Chuck Schuldiner and his bands Death, Control Denied and Mantas.

Shannon Hamm and Tim Aymar (singer in Control Denied) were scheduled to play at a Chuck Schuldiner tribute show at Latino Rock Café in San Jose, Costa Rica on December 18th 2011. They were to be joined by members from local metal bands Black Gallery, Advent Of Bedlam and Pseudostratified Epithelium. Relapse had a Death double-CD called Vivus! out in late February 2012. The disc featured two Death concerts, both of which were recorded in 1998. Disc one featured Death at Whisky A Go Go in Hollywood, while Disc two was from Dynamo Open Air in Eindhoven, Holland. Death To All Tour 2012 was a June benefit for Sweet Relief. This five-city USA tour would feature a number of Death’s alumni. This tour was to celebrate the life and music of Chuck Schuldiner, of Death and to raise money for the Sweet Relief Musicians Fund. Gorguts was also part of the bill. Former Death bassist Scott Clendenin, who played on The Sound Of Perseverance album, died in March, 2015. He was 47 years old. A cause of death was not offered. Clendenin was recently involved in the Death cover band, Death To All. To commemorate the 20th anniversary of the death of singer and guitarist Chuck Schuldiner, former members guitarist James Murphy and bassist Terry Butler would perform Death’s 1990 album Spiritual Healing in its entirety at two shows in Tampa, Florida, USA in December 2021. Former Death manager Eric Greif died at that time. He was managing the band’s old catalogue and re-issues recently. A new covers’ band was Left To Die in 2022. Former members Terry Butler and Rick Rozz asked Matt Harvey (Exhumed) and Gus Rios (ex-Malevolent Creation) to join them in writing an EP and touring with Death’s Leprosy and Scream Bloody Gore songs. Harvey and Rios were in the Death tribute band Gruesome and were covering Death also as Living Monstrosity. Paul Masvidal had been in Death DTA, which was a Death covers' band.


Death's Symbolic represents a leap forward for the violent genre we know as death metal, as well as one of the most complete and complex death metal albums ever recorded. You have to sit up for this one. It's prog, it's death, it's extreme, it's melodic, but it remains undeniably Death, and it ends up being one of the best metal albums of the 1990s.
The music is heavy, no doubt about it, but it isn't stupid-heavy like Deicide. It's smart, but it's not self-indulgent the way Dream Theater can get. It's serious, extremely technically difficult death metal. It isn't showy about it (no sweeps to be heard here), but the drums are among the most difficult I've ever heard, and the guitar parts are genius (more on that later). The album is less about individual parts and more about the songs as a whole.
And although the album is very unified, the songs are what stands out at the end. Zero Tolerance is a no-shit statement of power with a great guitar break. Without Judgement and Sacred Serenity are philosophical muses on things, delivered over crushingly heavy riffs. Perennial Quest is a bit of a journey. And the album's tour de force, Crystal Mountain, is honestly pretty amazing - a stunning combination of smart lyrics, speed, and one of the best moments on any death metal album I've heard (the segue into the chorus).
The predominant force on the album is Chuck Schuldiner, who wrote the songs, sang the lyrics, and played the guitar parts. Schuldiner's lyrics are pretty incredible, actually. They're inspirational. Schuldiner seems to be laying out a path, a kind of message through the album. It's not about gore, and it's not about song suites. It's about being something that matters - being the best you can be, trying to say something. His guitar parts are inspired - listen to the end of Empty Words, the awesome solo he rips on Symbolic, the chorus of Crystal Mountain. And the vocals are a bit of an acquired taste, but I feel they fit really well. Not only are they harsh and incredibly demanding, they make the lyrics understandable, which is vital to the album. And they're singular. No one sounds quite like Schuldiner on this album.
Everything fits together so perfectly. The drums and guitars move seamlessly together, the songs express their ideas and thoughts clearly, and there's no filler whatsoever. Symbolic is like an operatic act of deliberation. Not to say it's just a technical kind of showcase, like a Malmsteen album - what I mean is that the album never steps wrong, never has any tracks just filling up time, never has any errant notes or boring stuff. It's paced great, ending on Perennial Quest (a masterpiece). And unlike most death metal, Death took the effort to make the album mean something. Symbolic truly is symbolic.

"Without judgment what would we do ?
We would be forced to look
At ourselves emerged in lost time
Assuming what may be
Without judgment
Perception would increase a million times"
-Without Judgement

"Do you remember when
Things seemed so eternal?
Heroes were so real...
Their magic frozen in time
The only way to learn
Is beware and hold on tight"

And that's honestly what pushes this from a great tech death metal album to something more. Symbolic is one of the best death metal albums ever recorded, and anyone who likes metal deserves this album. - Max V.

The new Death album, one of death metal's rare live albums, is received with several raised eyebrows here at Metallian Towers. The simple and black jacket design is perhaps a bit too morbid given how band founder and main man Schuldiner is fighting for his life against cancer. Having said that an assumption is that the label is commemorating the passing of the band Death from the scene. Featuring 13 songs from Death's long list of available songs, Live In L.A. (which a year ago was scheduled to be released by Holland's Hammerheart Records) includes the band's better-known songs like Symbolic, The Philosopher, Pull The Plug and The Metallian's perennial favourite Zombie Ritual in a concise and orderly fashion. The sound, apart from a muffled rhythm guitar, is quite good and the rapping between songs is isolated to Schuldiner exulting and congratulating the metal crowd. Given that the US system does not provide for its citizens, there is another posthumous Death release to boost the money available for Schuldiner and his current treatment. If so, this release might not be the band's last. There are two reasons to buy Live In L.A. and each is good enough by itself. - Ali "The Metallian"

Chuck Schuldiner's Zero Tolerance is an accident. The album features four hitherto unheard instrumental tracks - Track 1, Track 2, etc. - and Death's 1985 and 1986 demos, Infernal Death and Mutilation respectively. The album was put together by Karmageddon Records which had a recording contract signed with Chuck Schuldiner, but following the man's death and a disagreement with Schuldiner's family could not release the planned Control Denied album. The label has now tried to salvage the situation by issuing this sampler of sorts.
The four instrumentals enjoy a great sound - being rehearsal recordings and all - and are in the same vein as Death later work. The listener is treated to the emotional, the progressive and, pardon the pun, the deathly. One has to agree with the booklet's comment that the completed work would have been an excellent album.
As things stand right now, Zero Tolerance is only recommended to Schuldiner's die-hard fans. Two old demos and four unfinished instrumentals are not the stuff to satiate the fans' demand for the full album which is gathering dust in some closet somewhere. - Ali "The Metallian"

Death is in Montreal, Canada supporting its latest album Human on tour on 19.11.1991. The band’s singer and guitarist Chuck Schuldiner is backstage at La Brique and speaks with Ali “The Metallian” about his band, metal and more.

METALLIAN: My first question has to revolve around your so-called ego. What is your definitive statement regarding all the rumours in this regard? I was interviewing a band, which hit the city, two weeks ago and they had very unkind things to say about you to give one example.
CHUCK: OK, these people don’t even know me. They limit themselves by wanting to see and create… bad things happening to people. Like, for instance, Borivoj… he is a person who shouldn’t be talking about egos or people being hard to get along with. This is a guy that, I think, the whole world despises. I can look in the mirror, every day I can wake up looking and know that I am not a bad person, know that I help people that I am kind to people, that I don’t judge people. Unfortunately, there is a lot of judgement on behalf of other people against me. You know, all these people don’t even know me. I feel sorry for them that they are limiting themselves in life as to say something about someone without really knowing, you know? It is very definitely that people are like that.

METALLIAN: So, why do you suppose all the talk is about you as opposed to someone else? What is so special about you that….
CHUCK: I don’t know. I think it’s flattery. I guess I am worth talking about. If they didn’t talk about me I would be worried. If people keep themselves entertained that way it’s definitely pathetic, but if that’s their form of entertainment then I guess that’s… whatever… I’ll worry about myself and not worry about what other people are saying. There are so many bands. It’s not just me. There are bands in the rock field, in rock and roll that are going through what I go through and have rumours. I am not the only person… that Chuck is a monster. The thing is there are people in big bands that go through this and people are always talking about. Thing is people talk about these people and band and don’t even know them. You know, that’s what is so mind-boggling… that people don’t know me. Some people do. Maybe they do know me, but whatever. I know I am not a bad person. I am very… I am too easy to get along with at times. I have been taken advantage of in the past and it’s not gonna happen anymore… definitely.

METALLIAN: OK, what if I come out and mention that you slag your old members. You have pulled out of tours because you don’t want to share buses with other bands. What do you have to say….
CHUCK: Those are group decisions. It wasn’t me… first of all there was one tour. I need to make that singular. Tour. That we didn’t tour with another band because… first of all, I don’t trust… you can’t go around trusting people. You know what I am saying? You have to be cautious in the music business and in the world in general. I don’t personally want to be stuck on a bus with a band I don’t know. They might drink, which I am not into drinking, they might smoke cigarettes, which I hate. I am allergic to cigarettes. These are all things that people have to take in mind. I am a person. I have my limitations and everything that was done in Death in the past – and in the future – is always a group decision. It’s not Chuck with people on chains, you know, like animals! I always discuss things.
The reason why, maybe, I talk bad about the former members is because there is a lot to talk bad about. The thing is I am speaking the truth and they, unfortunately, have to create lies about me. You know what I am saying? People have to resort to lying about Chuck Schuldiner and that’s really a drag. It’s a drag. It’s definitely very depressing thing to see happening.

METALLIAN: (referring to members touring Europe without Chuck) what the other members did in Europe and all those stuff…
CHUCK: It’s horrible. I just went to Europe to do a promotional tour about three weeks ago, doing interviews like this, I did twenty a day. Every single interview they had horrible things to tell me about things that were said about me. The thing is these people never go anywhere in life. All they can do is talk bad about me. I am progressing. I came out on top as far as I am concerned. I am here in Canada playing a really cool club with a really professional backing as far as management and everything is looking a lot better with the label just giving us money to do a video, which we did a couple of months ago… so if anything the people who are involved in the business still believe in me. That’s all that matters. As long as there are people out there still believing in me and who are not scared to come up to me and say ‘hey, what’s up?’ I’ll be a normal person. Maybe I’ll blow their minds because I am nice; not this person that’s made out to be into a monster. I feel good about what’s happening this year so far. Things looking really good.

METALLIAN: Changing the subject tell me about your latest album Human, the music, the lyrics and how do you see it as opposed to your older material.
CHUCK: As far as the music, I think it’s a lot more aggressive. It’s definitely much more technical due to the fact that I have definitely got a superior drummer this time around, a great guy by the name of Sean (Reinert). Everyone is really, really excellent in this line-up. These are all professional people. In the past line-ups I would have to worry about people not even practicing on their own. I’d have to worry and ask ‘when was the last time you jammed out?’ That’s horrible. You shouldn’t have to ask someone to practice on their own. They should want to. They should want to improve whether you’re a tennis player or baseball player you want to better yourself. You have to practice. This time around I’ve got a notch line-up. That combined with (producer) Scott Burns once again is perfect. It’s great, man. Such an excellent easy-going situation to be in. Everything is so natural, so laid back, it’s great. Much more professional, that’s the word I have to use. Much more professional atmosphere on this record.

METALLIAN: Tell me about the lyrics and the title.
CHUCK: Definitely, reality. Things that I have had to deal with over the past year. There is a song called Secret Face, which deals with people you think you know, but you really don’t until you see something come out of them like I've seen coming out of people that I considered to be my best friends, former member that I thought were my best friends. Stuff like that. Things we can all relate to and we all have to deal with as being human, which people tend to forget I am.

METALLIAN: What if I tell you that your change of direction has been a wimp-out. I don’t see any more lyric about zombies, mutilation, et cetra. Where did that go?
CHUCK: Well, first of all that’s very… I did that five years ago. I was eighteen and that was the thing to do. In my opinion, reality is far more brutal than anything anyone can create such as zombies ripping out eyeballs of a nun or whatever. These are things that don’t happen. I see reality. I don’t see zombies or demons flying. I see reality. That’s what we all have to deal with. That’s why people when they read lyrics on the new Death album or even the last album they can relate to it. I want people to relate to me and Death as a real thing; not this imaginary thing that we are talking about. You know what I mean? Real things! Definitely.

METALLIAN: Tell me, is that band that people will see on stage tonight, is it a band or is it Chuck? There have been so many line-up changes that I am not quite sure that this band is going to stay with you.
CHUCK: Hopefully, it’s a band. I have had this question at other times so it’s not unusual. It’s obviously a band because I can’t play drums, I can’t play second guitar, I can’t play bass, so all these elements make a band. Everyone in this band has a say in what’s happening as far as a lot of things go. It’s a group effort, you know? These are my friends. These are also musicians that I work with. I use the word ‘friends’ because people tend to forget that it is an important factor in a band or in life in general. Friends are important and its not to be taken advantage of… friendship.

METALLIAN: I can see that given your past experience you put a lot of emphasis on that. Does it extend to the music and it makes it come out better or is it just the chemistry side of things that it helps with?
CHUCK: It definitely helps when you feel comfortable working with someone. I have known all these guys for years. I am grateful, very grateful, for helping me and helping Death become reality once more. It’s in me. Music is always in me, will always be within me in one form or the other and I am grateful to anyone who helps that come out and helps bring it to life.

METALLIAN: How are the album sales? How many copies of its albums does Death Sell?
CHUCK: It’s very difficult. I know Spiritual Healing (1990) did around 160, 170 thousand worldwide, which is really good. It’s still selling, which is amazing. Human has really skyrocketed. It’s done about 30 to 40 thousand in about fourteen days in the US alone. So I think we are expecting very very good things from this record. With the video also, it’s going to help.

METALLIAN: Let’s talk about the video. For which song is it? How relevant is a video to the concept of a death metal band?
CHUCK: The video is for the song Lack Of Comprehension, which is a song that a lot of people who support heavy metal, rock, any type of music like that can really relate to. It deals with the Judas Priest scandal, the whole court thing with parents who brought their children up in a bad environment blaming their mistakes on heavy metal, the cliché. It is the typical excuse for people. It is an impossible thing to do, but unfortunately, it’s been done. Luckily, Judas Priest won. It is a very big victory for rock music in general. Lack of Comprehension is about the parents being so dumb to blame a form of music on their own wrongdoing! Children are like sponges. People are like sponges. We absorb what is taught to us while we’re growing up. These people put bad things into their kids’ upbringing. That’s what it revolves around.
Videos are very important. Headbangers Ball at least in America, whether it’s crap, is very important. It does play crap, but there are heavy things on there and I feel it’s very important for this band to make that next step as to do a video and hopefully a follow-up. It’s definitely not wimpy. I can’t see how anyone could say you are wimpy now that you are doing a video. I mean why not do things that are going to take this music to mass audiences, you know? Death is helping this music become more acceptable and hopefully on a good level and not on this very negative satanic level it’s gotten to. I think when people see the video and read the lyrics they are going to say ‘wow, nothing about Satan or anything on this.’ That’s really what sets… is going to continuously set this band apart.

METALLIAN: Chances of that video making it to TV here are minimal. Elsewhere, it is nice to interview someone who has something to say as opposed to my trying to get something out of the person because I have interviewed bands like Sacred Reich who are supposedly outspoken, but don’t have actually anything to say as far as censorship or current issues go, which according to the media is something they know about. They really don’t! You seem to have more to say than any band I have interviewed.
CHUCK: I’ve got a lot to say (laughs). I can sit here for hours and really analyze certain situations that we are dealing with right now. I feel this is an opportunity and any other interviews are an opportunity for me to hopefully clear up what has happened and make people think twice before they judge anything in life. To give things a chance before first making it into something bad. You know what I mean?

METALIAN: OK. Here is a question: what do you think of Metallica?
CHUCK: (Chuckles), uh, I have to be truthful. I am very disappointed in the new album. Not ‘cause it’s supposedly wimpy, but just I mean there are so many things that I don’t like about it. I am sure people are going to say ‘what a jerk Chuck is,’ but the thing is I have to speak my mind. As a person and as a fan of music, which I am I like hearing bands that progress and, in my opinion, I hear a reverse or a de-progression, or whatever the proper term is. I am disappointed with it because there is a lack of energy and a lack of thought put into their new songs. It’s simple, it’s gotten more simple instead of more musical. Maybe I am a little too critical because I am also a musician, but that’s just the way I feel. You know, it’s not horrible. It’s still catchy and they have somewhat of a decent element within their music, but I personally prefer to hear more than the typical drum beat behind music.

METALLIAN: I was totally bored with the new Metallica.
CHUCK: You know, it took three years to put this out and I think I and a lot of people expected just a little bit more, but hey they are making millions and they are happy. I am happy for them. We all have to survive.

METALLIAN: Speaking of their success, do you see your band going to that plateau? Would you want that, and if you want that, can you see yourself getting up that kind of an audience and charts and all the attention?
CHUCK: Well, I mean I never like to put limits on our music. I can’t see us being as big as Metallica. I have to be realistic about it, but I hopefully can continuously be bigger and be accepted as real musicians in a real band with good things to say. I would never want to get big if it meant changing. I would never put anything out that I wouldn’t want to hear. I am very very… I am my biggest critic as far as the music I put out for Death. I always judge it first as to how another person would hear it. If it’s not catchy and it’s just blah I am not going to use it. I would never put anything out that’s just there!
Anyone who had doubts or heard lies pick up Human and you will hear reality. That is, Death will always be a band that will not let the people who hear this music down. That’s so important because I am part of being let down by bands. I am really sick of it.

METALLIAN: Tell me about this tour you are on.
CHUCK: This is our fifth, no sixth, no seventh show, I am sorry, so it’s pretty much in the early stages of the tour. We just came from Massachusetts, USA and after this we play Detroit, Michigan, Chicago, Milwaukee and then work our way to Colorado and to California so we are covering a lot of strong areas.
Europe is next definitely after the USA… the real Death!

METALLIAN: Which bands will you tour with?
CHUCK: This is a worldwide tour. It’s good because we are all friends, which I must bring up again. We all get along great. There are no worries. I don’t have to worry about some opening band ripping our stuff off, which has happened unfortunately. So, it’s great. We all trust each other. I can leave my guitar on stage and not worry about anything. That’s great have that trust and friendship involved.

METALLIAN: One more thing that I noticed when I was speaking to the guys from Viogression was how friendly you have been towards them and it is a great help for them to be on the bill.
CHUCK: Yeah, definitely. I think it’s great to be able to help an upcoming band out. I would naturally treat anyone equal. I don’t care if they sell one hundred million albums or ten. They are people. I think Viogression are extremely cool guys, as well as Pestilence. There is no competition involved. We are all three different bands each doing what we believe in. There is no need for egos regardless of what people think out there.

METALLIAN: Do you have any last words to say to the Canadian fans?
CHUCK: Definitely. Support music and not rumours.

Sean, Scott, Paul and Chuck were the headliners that night and followed Pestilence and Viogression. The last band shared a manager with Death.

This interview was originally heard on CRSG cable radio in Montreal.

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