Antares Death>>INVOCATION OF DEATH - EL SALVADOR

Into The Labyrinth Of Chaos – 2018 - GrimmDistribution

Invocation Of Death image
  
 
Members
Vocals
Soomdrag, Dismal Gale, Arcane, Disorder, Morbid Stench, Tabu, Conceived By Hate>>IOSIF NAJARRO>>Disorder, Morbid Stench, Tabu, Conceived By Hate

Guitar
Disorder, Conceived By Hate, Destroyer Attack, Morbid Stench>>Morbid Miasma [Jorge Montesino]>>Disorder, Conceived By Hate, Destroyer Attack, Morbid Stench – Selvtier>>JP [Juan Pablo L. Garciaguirre]>>Selvtier


Bass
Necrosadic, Prognosis Negativa, Selvtier, Witchgöat>>CARLOS MELARA>>Prognosis Negativa, Selvtier, Witchgöat

Drum
Soomdrag, Dismal Gale, Arcane, Disorder, Morbid Stench, Tabu, Conceived By Hate>>IOSIF NAJARRO>>Disorder, Morbid Stench, Tabu, Conceived By Hate





History & Biography
Antares Of Death existed for almost ten years before becoming Invocation Of Death. Two members left following the album’s release. The album was recorded at Morbid Miasma studio. A cassette and a LP version were limited to copies each.


Reviews

INVOCATION OF DEATH – INTO THE LABYRINTH OF CHAOS – GRIMM  
From the moment Embrace Of Hate begins the listener is treated to a brutal and effective clone of Dismember, Grave and Edge Of Sanity, as well as a dub from the movie There Will Be Blood. This is some heavy and fast material from the El Salvador-based act that what it lacks in originality makes up for in the crunch department. The singer vomits his way through the album racing against his co-conspirators with a heavy riff-based assault on fans of rap, country music and “symphonic melodic operatic….” vomit. Sorry all trendy ‘metal’ (so-called) journalists out there! The band mixes in enough death metal in English and Spanish to satisfy the sub-genre’s fans, but runs out of gas somewhat by the fifth track Crawling In The Dark, which is somewhat repetitious and mundane. In general, Invocation Of Death – no word if Chuck answered the call – does better during the speedier passages. The band would do well to stick to speed-oriented riffs. The Convent, for example, rolls forward with a fierce tempo that could only be described as something akin to Donald’s heart beating in the heat of sexual arousal when he sees Ivanka or the chubby younger one.
One also has to admire the act for its acknowledgment of its influences. Solar Crisis features a snippet of music from Dismember’s debut. – Ali “The Metallian”


Interviews







Invocation Of Death