The Ohio-based band was formed in 1983. Necrophagia was one of the original death metal and gore bands and active in the underground scene of the late ’80s. The group established a horror-oriented image influenced by the singer’s fanaticism for horror films and imagery. The band was lead by Frank ‘Killjoy’, but for a while seemed like a real group with members like guitarists Larry Madison and Frediablo, bassists Bill James and Dustin Havnen and drummers Joe Blazer and Wayne Fabra. Early demos were 1984’s Death Is Fun and Rise From The Crypt. Autopsy On The Living Dead and Power Through Darkness followed. The band split up in 1987. Apparently Killjoy wanted to maintain the extremity, while other members wanted to become more mainstream. He turned Necrophagia simply into an act called Killjoy. Ready For Death was supposedly meant to be the band’s debut, but either through theft or dissatisfaction with the material it was first withdrawn, then bootlegged and finally issued during the band’s absence. Killjoy soon befriended fans from bands like Pantera and Darkthrone and became a project act with guest musician fans beginning 1998. Killjoy, members of Satyricon, Darkthrone and Pantera formed Eibon in 1999, but the project soon split up. Black Blood Vomitorium was a 2000 EP on Red Stream and featured Phil Anselmo. Housecore/Baphomet Records was a label by Pantera’s Phil Anselmo and Killjoy, but was soon upended by lack of attention. Mirai Kawashima of Japanese band Sigh played keyboards for the band for the next decade. Red Stream issued a new album before the band moved on to Season Of Mist in 2001. Killjoy also released his albums on his own Coffin Records. The group was soon back with Red Stream however. Slit Wrists And Casket Rot was a live record. To coincide with the release of Deathtrip 69, the band was headlining the FireWalk Fest in Milwaukee. The band and Venom Inc. toured the US in 2016. Helsott, I Am Morbid and Necrophagia toured Europe in 2017.
The band’s debut, Season Of The Dead, was re-issued with new packaging and lyrics by Red Stream ten years later. The label also compiled early band music in Death Is Fun.
The word ‘necrophagia’ refers to the eating of a dead body.
NECROPHAGIA - SEASON OF THE DEAD - RED STREAM
If the band and album name seem familiar that is because this disc is a re-release of the Ohio band's debut of some eleven years ago. Even if this is not new music, our dead-munching friends here are indeed back and ready to release a new album later this year. In the meanwhile, this is some very primitive heavy/death metal which has managed to maintain a reputation for the last several years. It is what you should expect from a 1987 Combat or New Renaissance release and as such may appeal to the purveyors of retro underground. At the very least, now that this is out and available again we will be able to really gauge the popularity of Season Of The Dead as reflected in its sales figures. - Ali "The Metallian"
NECROPHAGIA - HOLOCAUSTO DE LA MORTE - RED STREAM
Legendary underground death metal unit Necrophagia (i.e. band leader Frank Killjoy and his vomiting larynx) is back onto the scene with fresh material and if we weren't told otherwise, it would be easy to accept that these riffs are twelve-years old. Yes, this is not juvenile metal a la Pantera (wink wink) or Machine Head. This is the genuine article. Based upon and inspired by the work of director and writer Lucio Fulci (Zombie series, Four Gunmen Of The Apocalypse, Black Cat, etc.), Holocausto De La Morte bleeds eight tracks of gore metal via songs like Blood Freak, Embalmed Yet I Breath and Burning Moon Sickness. Heaven knows the scene needs something like this. This material is quality underground goredeathrash reminiscent of the days when the underground was for real. This might sound like a mixture of Master, Possessed and even early Voivod (listen to The Cross Burns Black's progressive riff), but Necrophagia simply rekindles a once-exulted genre which has long since died. Like the zombies worshipped by the band, the dead are not permanently gone; just banished to the underground awaiting their moment of return. The more one listens to this, the more one like the feel and with the added bonus of a powerful sound and Red Stream's lavish design, Holocausto... might just be this year's best barometre for the separation of the metaller from the poseur. - Ali "The Metallian"
NECROPHAGIA - BLACK BLOOD VOMITORIUM - RED STREAM
Funny how this originator of gore/ death metal just keeps getting better. Funnier how after years and years of dwelling in the cellar of the underground scene, with nary a hope to sell any albums Killjoy just keeps marching on preaching the gospel of blood and horror metal. This latest outing being a mere MCD digipak, the music resumes where last year's Holocausto de la Morte left off with horror clips, ravaging riffs and puking vocals like no one attempts any longer. In their minds, these guys live on the set of the Night of the Living Dead and that really is the best description of where from the music is coming. - Ali "The Metallian"
NECROPHAGIA - THE DIVINE ART OF TORTURE - SEASON OF MIST
The Divine Art Of Torture is also the divine art of effective riffing. Veteran American band Necrophagia, that is Frank Killjoy and his increasingly international cohorts, have outdone themselves with a grindingly brutal album that throws one potent chord after the other. Not only that, the guitars have been tuned down to the point of sounding like Dismember circa Casket Garden. In Fact the guitars come quite close to Swedeath territory. Further on the musical front, Necrophagia delivers a swift, raw and bloody blow to the head. The powerful proceedings are augmented by a mixture of growling and shrieking vocals which are the perfect fit for a gore metal band. Only song number four, Main Attraction, has a short and melodious riff. The rest of the album is gore metal supreme with the odd horror movie sample or eerie synthesizer meant to enhance the horrific effect. One final note pertains to the cover art. The promotional CD has shipped with a plain cover, but the actual CD photos elsewhere depict a title and concept-fitting horror theme. All in all, The Divine Art Of Torture is true to its name and an album that is bound to satisfy fans of the heaviest of heavy metal. This is true gore metal. - Ali "The Metallian"
NECROPHAGIA - NIGHTMARE SCENARIOS - RED STREAM
Nothing says 'cheesy death metal' like a Necrophagia DVD and the most recent one is not going to scrape the fondue off the ceiling either. Whether Killjoy and his undead disciples see the humour in their work is a good question, because on face value they are quite serious about slashing mannequins, handling cows' hearts and livers, the fake blood running down girls' breasts and desecrating models' bodies. Yes, this is more horror film than a music video. In fact, this is a multinational production with footage from the USA, Brazil and Canada. Acting out their fetishes for splatter horror is clearly a labour of love for these guys, but it is true nonetheless that the outcome is hardly realistic and as a viewer one has to either laugh or be offended because being convinced is not an option. Yes, of course everyone knows this is all make-believe, but if they are not going to at least make it believable then perhaps the least they can try to do is spare us from the shots of fat guys shuffling nude in bathrooms. - Anna Tergel
NECROPHAGIA - HARVEST RITUAL VOLUME I - RED STREAM
The World, The Flesh, The Devil intro and Dead Skin Slave get this pounding gore, horror movie influenced album under way. Synthesizer passages in Unearthed make this, and the other songs that follow it, a collection of songs based on a horror theme. Cadavera X, very much like the previous songs, alternates between mid-tempo riffing and horror movie inspired passages. An amusing and funny intro follows with a radio DJ from 'FM 666, the station with real guts' introducing the band and the song as 'the bastard children of horror and gore' with their new crypt single London 13 Demon Street.’ The song comes complete with a female narrator and also a solo somehow befitting it. Return To Texas continues the gore and horror concept with a slightly faster tempo. Akumu is a very dark gothic sounding two minute intermission more akin to something out of '70s Pink Floyd! Stitch Her Further gets the album back on track and provides more for the thirsty masses. Excommunicated follows and contains more movie samples. The title track closes Volume I, sounding much like South Of Heaven and Reign In Blood at times, and does help to make this release worth a listen.
Definitely plenty of blood for gore fans, over 47 minutes of it in fact, and all done so the effects don’t completely overshadow the music itself. - Anna Tergel