DIABOLIQUE - SWEDEN

Wedding The Grotesque - 1997 - Black Sun
The Black Flower - 1999 - Black Sun
The Green Goddess - 2001 - Necropolis

Diabolique image
  
 
Members
Vocals
KRISTIAN WÅHLIN

Guitar
Conquest, Grotesque, Liers In Wait, Decollation>>KRISTIAN WÅHLIN>>The Great Deceiver - Liers In Wait, Decollation>>JOHAN ÖSTERBERG>>Grotesque, The Great Deceiver


Bass
Total Death, Seance>>BINO CARLSSON

Drums
Liers in Wait, Crystal Age, Dimension Zero, Luciferion>>HANS NILSSON>>Dimension Zero, Luciferion, The Great Deceiver, The Motherfuckmachine


Keyboard
KRISTIAN WÅHLIN




History & Biography
Formed as a follow-up to Liers In Wait in 1995, the band moved away from the metal of the predecessor band, and At The Gates, and specialized in goth rock and doom. It even dabbled in electronic music and pop. No surprise then that the act was over by 2001. Early bassist was At The Gates' member Alf Svensson. Eucharist's Daniel Erlandsson was the early drummer, but the man moved on to Arch Enemy instead. The band attempted a comeback around 2008 and 2009, but nothing happened.

The debut album name hinted at the members previous group. Listenable Records released the 1996 EP, The Diabolique. Necropolis Records released the 2000 EP, Butterflies.

There was a French horror film by the same name in 1955. Wåhlin was also a visual artist having worked for everyone from King Diamond to Dissection and provided art for his own band here.


Reviews

DIABOLIQUE - WEDDING THE GROTESQUE - BLACK SUN
As every metal fan knows Sweden is a rich pool of metal. Many good bands of all metal genres call Sweden home. Where there is good though, inevitably there is bad and one such group is the newly-found Diabolique which - some might have guessed from the album’s title - features metal cover artist and ex-Grotesque man Kristian Wahlin. He has teamed up with ex-Seance bassist Bino Carlsson. The history behind the members renders this more disappointing, seeing that both Seance and Grotesque specialised in what this formation is not: brain shattering metal. Further disappointing is the issuing record company which had had a great record (all puns intended) previous to this release. So what is so disappointing musically (seeing that Wahlin has made sure the packaging is top notch)? The four deliver music which above all is most pretentious. What comes out of the speakers is a Sisters Of Mercy-influenced dirge which attempts to bridge the gap between Tiamat and Cemetary: a woefully pompous mix that is explicitly boring and distinctly lacking in direction. Gothic might be the label given this band for marketing reasons, but goth fans rarely have time for ex-metal bands mimicking their style and I yet have to come across a metal fan who has confessed In public to being a gothic fan at the same time. As such, nice try guys and perhaps next time you'll keep it to yourselves in the rehearsal room. - Ali "The Metallian"


Interviews







Diabolique