IBRIDOMA - ITALY

Ibridoma - 2010 - SG
Night Club - 2012 - SG
Goodbye Nation - 2014 - SG
December - 2016 - SG
City Of Ruins - 2018 - Punishment 18
Norimberga 2.0 - 2022 - Punishment 18
Sangue Innocente - 2026 - Punishment 18

Ibridoma image
  
 
Members
Vocals
Worst Evil, Scala Mercalli>>CHRISTIAN BARTOLACCI>>Worst Evil, Scala Mercalli

Guitar
Simone Mogetta - Cancrena, Concept Project, Antagonism>>MARCO VITALI>>Antagonism - Daniele Monaldi - Jackstraw, Hurt!, Time For Vultures>>Sebastiano Ciccalè>>Hurt!, Time For Vultures - LORENZO "FISKIO" CASTIGNANI

Bass
Antagonism>>LEONARDO CICCARELLI>>Antagonism

Drums
ALESSANDRO MORRONI




History & Biography
The power metal band was founded by Alessandro Morroni in March of 2001. The group won a prize at the Rock Around The Road festival in 2004. The first demo was called Lady Of Darkness and appeared in 2005. The band travelled to Portugal for a gig with Mindfeeder, but soon lost Pietro Alessandrini in 2006. Marco Vitali (also a music teacher) stepped in. A follow-up demo was called Page 26 and released in 2008. The gang opened Blaze Bayley's Italian tour in 2009. These lead to a debut and self-titled album in 2010. Guitarist Simone Mogetta left the band after a decade however. The band was booked for Poland's Jagórfest VII. Guitarist Daniele Monaldi left in 2012. December was supported through a video for the song Chemtrails. The album was the last one on SG Records as the company went out of business.

City Of Ruins of 2018 had the band on Punishment 18 Records. Guitarist Sebastiano Ciccalè now departed the act. Norimberga 2.0's title track became a video clip as well. Italy-based heavy metal band Ibridoma issued a full-length called Sangue Innocente in 2026. The title track was also a video featuring Giacomo Voli of Rhapsody Of Fire. The video clip was directed by Alessandro Moglie. Ibridoma had opened for Rhapsody Of Fire in 2012.


Reviews

IBRIDOMA - PAGE 26
Any heavy metal release from Italy immediately invokes the melodic and out dated. This five-track sophomore release confirms that, but only to some extent. The vocals can be termed semi-annoying in the way that Christian Bartolacci’s high pitched singing sounds stuffy and akin to something like a nag. The production and music are thick riffed melodic heavy metal that is neither blatantly dated nor wholly unoriginal, but nevertheless doesn’t offer much new and save some catchiness is unremarkable if not forgettable. Juliet is a ballad and it closes these 27 minutes with something different. Contact the band at www.ibridoma.com. - Anna Tergel


Interviews







Ibridoma