SACRIFICE - CANADA

Torment In Fire - 1986 - Fringe
Forward To Termination - 1987 - Fringe
Soldiers Of Misfortune - 1990 - Fringe/Metal Blade
Apocalypse Inside - 1993 - Metal Blade
The Ones I Condemn - 2009 - Marquee/Sonic Unyon
Live - The Starwood, Toronto - Nov. 23 1985 - 2022 - Cursed Blessings
Live In Japan 2018 - 2023 - Cursed Blessings
Volume Six - 2025 - High Roller

Sacrifice image
  
 
Members
Vocals
Interzone, Tenet>>ROB URBINATI>>Interzone, Tenet

Guitar
Hateful Snake, Interzone, War Amp>>ROB URBINATI>>Interzone, War Amp - Walls Of Jericho>>JOE RICO>>Walls Of Jericho


Bass
Codex: Factoria>>Scott Watts>>Codex: Factoria

Drum
Gus Pynn>>The 3Tards - Random Killing, Lab Animals, Dark Legion>>Michael Rosenthal>>Rhea's Obsession, HunnyTruck, Random Killing - The 3Tards>>GUS PYNN





History & Biography
Toronto, Canada-based Sacrifice was active between 1983 and 1993. The band, along with Slaughter, Razor, Voivod and Exciter, formed the backbone of the early extreme metal scene of Canada. Neighbourhood kids Urbinati and Rico were the founders. Scott Watts had been Rico's school-mate. Watts brought in drummer Craig Boyle. The band's first Rehearsal from 1984 featured a cover version of Metallica's The Four Horsemen, but a bigger influence ended up being Venom. The first concert was at Larry's Hideaway in Toronto in early 1984. The band opened for glam band Herrenvolk (later Kid Wikkid), which featured Sebastian Bach. Sacrifice was mostly playing covers. Another Rehearsal tape added an Exciter cover version of the song Violence And Force. Drummers Craig Boyle, Ernst Flach and Andrew Banks came and went. A proper demo was 1985's The Exorcism. The band was composed of singer and guitarist Rob Urbinati, lead player Joe Rico, bass player Scott Watts and drummer Gus Pynn. Brian Taylor, from the local hardcore band Youth Youth Youth, had produced Slaughter and recorded Sacrifice as well. He worked at the Record Peddler, which owned Fringe Product. The group opened for Razor and Slaughter at Larry's Hideaway in 1985. Sacrifice opened for Exodus in 1985.

The band entered Futuresound Studio and used most of its demo tracks to record a full-length. The same studio was used by fellow Canadians Slaughter. Sacrifice had already opened locally for Slaughter. The debut was distributed by the record shop-cum-record label Fringe Product of Toronto, which worked with Slaughter. The band gave the Attic label a wide berth given Razor's experience with that label. Metal Blade would distribute the record in the USA, while Roadrunner would take over for Europe. Sacrifice drove to Montreal and appeared at the No Speed Limit Festival, which took place with D.R.I, Possessed, Aggression and even Agnostic Front. A stable line-up issued the band's Forward To Termination and the group's fanbase grew. A video clip for the song Re-Animation was played on MuchMusic and provided valuable exposure. A snippet was even in the show's intro. The video's director, in fact, worked at the station. The group played with Megadeth and King Diamond in Canada. The group travelled to the USA and opened for C.O.C. and Straw Dogs. The band played the first Milwaukee Metal Fest over in the USA in 1987. The group opened for Motörhead in New York. The band issued a 1989 demo, which led to Soldiers Of Misfortune. Metal Blade took a more active role with this one. A USA tour with Metal Blade's SlaughterHouse was cancelled at the last minute. The title track was a video and received minor airplay on MTV. The band gigged with Razor and also returned to mid and eastern Canada. Milwaukee Metal Fest booked the band again in 1991. The band played US shows with Believer and Bolt Thrower. King of the band Deceased attempted to organise a tour with Razor and Sacrifice for the USA, but could not pull it off because of work visa requirements. Apocalypse Inside - produced by Razor's Dave Carlo - was entirely on Metal Blade Records and fared worse than its predecessors.The band's first line-up change meant Michael Rosenthal was on drums. Rosenthal was from Dark Legion, which had opened for Sacrifice. Mid-1980s' Dark Legion featured Mark Watts who was Scott's brother.

The band called it a day disappointed and feeling at an impasse. Joe had already relocated to the USA in advance of the band splitting up. Presumably, he either had a death wish, which would be very metal, or had stock in a car suspension company given how he lived in Detroit. Either way, he was in Walls Of Jericho. Bassist Kevin Wimberley had stepped in for the road as Watts was experiencing musical differences with the others. Despite a tour opening for Death and Gorefest, Metal Blade had dropped the band. Urbinati and Wimberley thrashed industrially in Interzone. Watts was in Vancouver.

The gang reappeared in 2006 and had a record in 2009. The original line-up had reassembled. For the first time in fifteen years Sacrifice played together again at the Day Of The Equinox II taking place in Toronto at the Opera House on Saturday September 23rd, 2006. The band's line-up was the established quartet of guitarist and singer Rob Urbinati, guitarist Joe Rico, bassist Scott Watts and drummer Gus Pynn. Also performing at the show were Rammer, Melechesh and others The band had Marquee Records press the reformation CD. Sacrifice and Canada-based punk band Propagandhi shared a single in 2010. Sacrifice covered Rush for the 7". The band made it to Europe and played at Keep It True Festival in 2011. The band then played in Japan in 2012. The Re-Animated live DVD of 2012 was actually filmed in Toronto in 2006. Annihilator performed its first show in Western Canada since 1993 in 2016. Also appearing were the recently reformed and original line-up of speed metal pioneers Exciter at their first Western Canadian performance since 1985. The show was opened by Razor and Sacrifice. Volume Six appeared on High Roller. The record was late by a year or so. It was announced for Cursed Blessings to begin. This one had arrived more than 15 years after its predecessor. There was a lyric video for the song Missile. The band was booked for Chile Terrorfest at the end of 2025.

While Canada's Sacrifice was the first, a couple of other bands called Sacrifice also began their deed in Sweden and Japan in the mid-1980s. Venom's Black Metal album of 1982 contained a track called Sacrifice.


Reviews

SACRIFICE - VOLUME SIX - HIGH ROLLER  
Are Rob Urbinati and co, the Dorian Grays of speed/thrash metal? The material, by a band formed over 40 years ago, is as hard-hitting as it is energetic as it is pure metal as it is enjoyable and one could go on. To start, Rob's vocals are as wickedly ship-shape as ever. The music is as tightly thrashing as ever. The Sacrifaust four's deal with the devil has borne fruit.
Singer and guitarist Rob Urbinati's vocals have remained unchanged and are as edgy and crisp as 1990! The guitars are sharp and active, the bass distorted and vibrant and the drumming leaves nothing to be desired. Evidently, as part of their contract with the devil, the Toronto quartet have also gained the ability to neither sound dated nor wimped out. Indeed, for those familiar with the band's 1990 album Soldiers Of Misfortune, Volume Six carries over the same vibes and feel, but updated and sounding better.
Comatose is one heck of an opener and as good, if not better, then the olden albums. Perhaps pacing is everything? After all, the Canadian four have a mere six albums in their forty years of existence (long hiatus notwithstanding of course). Either way, the song's title has as much to do with its musical content as the Conservative Party Of Canada has to do with decency or ideas. This is sublime and nifty thrash metal as good as anything released this, or next year. It does not skimp on the speed and for a moment when Urbinati commands, "look out" one is reminded of Destruction. But that's the opening cut Comatose. How is the rest of this CD? Antidote is as good and even thrashier and avers the album is consistently impressive. By song number three it is obvious that Soldiers… has become a template for the band and, by extension, this album. Underneath Millennia is impressive in its intricacy and arrangement. These boys are not phoning it in. Your Hunger For War is less relevant and almost a filler except for the lead guitar trade-off, which is some of the band's best. The album contains two instrumentals: a long one and a short one, Black Hashish, the more notable one for its atmospheric, Near Eastern vibe and a smidgen of vocals. That vibe is not a surprise given how 'hashish' is an Arabic word. The distorted bass sound and solo are in spite of the song's more solemn volume. It sounds like something that belongs to the soundtrack for Prince Of Persia, but with guitar solos and chugging riffs. Explode is actually more sober. Incoming Mass Extinction aside, this album's song titles are obviously not indicative of their power or speed. We Will Not Survive is back to the jugular crushing grip that only rapid thrash metal can deliver. The drums star here. Trapped In A World is a Direct Action cover version with guest singer Brian Taylor, a Canadian figure better known as a producer of bands like Infernäl Mäjesty, Slauger, Razor (and Sacrifice) than his hardocre musician days.
Here at Metallian Towers, the knights and serfs alike always thought Soldiers Of Misfortune would remain our favourite Sacrifice album. As much as the sounds of the two albums are not that far apart, could it be that the 2025 record has pushed the 1990 one into second position?
A boring album title belies the musical output. Bring on Volume Seven! - Ali "The Metallian"


Interviews
It is August of 1991 and Toronto’s Sacrifice is playing a show at Montreal’s La Brique. It is an opportunity to interview the Canadian thrashers for the second time following the release of 1990’s superlative album. My interview partners are singer and guitarist Rob Urbinati and guitarist Joe Rico. – Ali “The Metallian”

METALLIAN: Welcoming back Sacrifice to Montreal (multiple cheers erupt from the band) leads to my first question. The last time we spoke you guys were off to getting signed to Metal Blade Records. How did that go?
ROB: Well, actually, this album that came out, Soldiers Of Misfortune, was Fringe’s record. Then we were not signed to Metal Blade. So our deal hasn’t really started. We got our advance for the next album so the next one will be Metal Blade’s.

METALLIAN: So, the touring you have been doing has been supported by Metal Blade Records.
JOE: Not much of it! Most of it got canned.
ROB: Yeah, we were supposed to go out with a band called Slaughter House from somewhere in the States and two days before we were due to leave they cancelled out of it.
JOE: … 25 dates or something like that. We would still be playing right now, but they cancelled out so we missed a lot.

METALLIAN: Whose fault was it?
JOE: Their fault

METALLIAN: What went wrong?
JOE: They weren’t making enough money or something. They were being little babies.

METALLIAN: Slaughter House is not that big either so…
JOE: I guess not. I had not even heard of them before we were supposed to play with them.

METALLIAN: Are you laying any new tunes tonight?
ROB: No, we used to do that while ago. We would play a couple of new tunes, unreleased stuff, but we find that usually doing that… people not really… the response isn’t that great. People want to hear songs they know already. It is different live too because, if you have a noisy mix or something, you cannot pick up what songs sound like half the time. So, we usually stick to what’s out and what’s available on record.

METALLIAN: Nevertheless, do you have new tunes already written?
ROB: We have half our album done. So, I think, we will probably end up going in to record around the end of the year, December or January. We should have it finished by the end of January.

METALLIAN: Compare your last album and the upcoming album for me back-to-back.
ROB: I guess the songs are more like Existence Within Eternity and Soldiers Of Misfortune (from the Soldiers Of Misfortune album). We have trouble coming up with the faster stuff. I don’t know there is a block… a lot of that stuff… no one’s doing anything. So, if we have ideas for fast stuff we would use it, but it has to sound different. A lot of stuff sounds like Slayer or whatever.

METALLIAN: Do you see yourself going towards a slower direction? Is that the story?
JOE: I don’t know if it is slower or not. There will be slower tunes, but there will always be fast stuff.
ROB: You know it is still heavy. We will always be a heavy band, but now we don’t have a lot of ideas for the fast stuff. The best ideas we have are for the slower stuff.
JOE: So far, but give us time (laughs). That’s for sure.

METALLIAN: Tell me about The Milwaukee Metal Festival and how you got on that bill. I believe you were the first Canadian band to play there.
JOE: We were the only Canadian band to ever play down there. We had played the first one. We had played the very first Milwaukee Metal Festival, which turned out very good. I guess Metal Blade got us this show. I don’t know if we were asked directly. It turned out really good. 3,000 plus people, which is really good.

METALLIAN: Only? 3,000 people for that many bands?
JOE: If you were in the building then you know it was packed. Three thousand is a lot for that building. It is over 3,000. I don’t know exactly what it was.

METALLIAN: Weren’t twenty bands playing?
JOE: 28
ROB: (Jokingly) we got only about 10 minutes to play. What’s the point?

METALLIAN: I guess the exposure and the press and stuff. How did your show go down?
ROB: It went good. We were tenth from the top, I guess. We did pretty good. It was a good show. Except for the headliner, everybody is using the same equipment so it takes away from your show.

METALLIAN: Who had the best response? I know earlier you mentioned Deicide.
ROB: Yeah, they got a big response. That death metal stuff is really big down there. Sacred Reich was pretty good. I saw their show and they went over really good.

METALLIAN: The whole package of New Titans On The Block, which was in Canada ten days ago had gone down. How do you see yourself in that context of all these new bands? There are heavier bands, Satanic bands, et cetra how do you see yourself? Where do you fit in?
ROB: Well, we have tried to distance ourselves from grindcore and stuff like that. When we started out we were death metal or whatever, but we got bored of that stuff back then in ’85 or whatever. We were getting bored of it then and now it is getting really big again. We already got bored of it six years ago. You know, some stuff the musician stuff is cool, but a lot of the singer just sound the same and it is redundant. When you get a bunch of bands playing together they sound the same to me.

METALLIAN: As for my next question, a big deal was made of your video being played on MTV. Is it that big a deal? Does that affect your album sales?
ROB: Oh yeah, for sure. A lot of people who don’t live in major urban centres if they see it on MTV that is the only place where they find out about new bands. Getting played there sells albums for sure.

METALLIAN: Last time we spoke you told me about a new video. What came out of that?
JOE: It’s done now. It’s for As The World Burns. We did one edit and they decided to do it again to make it better or whatnot. It should be out in a month or so…
ROB: We are not really sure if we are going to use it yet. I didn’t come out how we thought it would.

METALLIAN: What went wrong and what was the concept?
ROB: Well, ummm, I don't know. It didn’t look… It is not as good as Soldiers Of Misfortune. It is a different type of video. Some of the effects in the video didn’t come out right. We got to see the reedited version. If that looks OK then we will use it.

METALLIAN: The last one was done by someone from Montreal, wasn’t it?
JOE: Yes, John who works at Musique Plus. It was he and two cameramen. I forget their names.

METALLIAN: Did you use the same crew for the new video?
ROB: No, they were from Toronto. They got a grant to do it and it didn’t work out as great as I hoped. If it turns out cool then we got another video. If not then ‘oh well.’

METALLIAN: Concerning the future and Sacrifice what are your plans now? You are not touring it seems. Are you going to settle down and write the other half of the upcoming album?
ROB: Well, we are not really sure. There is still the possibility that we may be able to hook up with a couple of other bands in a couple of months. We are going on tour across Western Canada in September. We are going to do that and if we can get something happening in the States we will do it, but if not we will just get our tunes together and get it out as soon as we can.

METALLIAN: How is the drummer situation? Is the band tight and are you happy with the drumming?
ROB: Yeah, definitely definitely. We have known Mike (Rosenthal – new drummer) for so long. We used to jam with him years ago. He is working out great. It’s not like we changed drummer except he is better, I think. He picked up the tunes so quick. The first couple of times, actually, the first time we jammed with him he had the tunes down almost. He is working out great.

METALLIAN: How is your relationship with former drummer Gus. Do you still hang out?
ROB: We have not talked to him since October
JOE: Since about December.

METALLIAN: I thought you were still friends with him…
JOE: I don’t know. No comment…

METALLIAN: Do you get the feeling that you didn’t back this album the way you should?
ROB: Yeah… well, apparently this year is really bad for bands going out on tour. Many of the bigger tours going around are not doing good at all. When our tour was cancelled people were saying ‘maybe it’s a good thing you guys didn’t go.’ People are not putting up the money to go see bands right now. There is a recession in the States too. We would have liked to get out on tour, but it has always been hard for us to get a tour happening…
JOE: …especially in the States. All the American bands seem to go around easy. Canada is easy, but States is hard.

METALLIAN: Does your contract with Metal Blade include tour support? Does it look better than the Fringe thing?
ROB: Yeah, we would have gotten tour support for that tour we were going to do, but… Fringe tour support is really nothing.
JOE: They are not that big of a company so they cannot really dish out a lot of money. Metal Blade, sure we will get some from them, they said they would, but it has to be a really good tour.

METALLIAN: So, is your next album coming out on Warner Brothers here as distributors?
JOE: Yes, it will be on WEA Canada so it will be everywhere.

METALLIAN: Do you expect your sales to rocket after that? Is it that different with major distribution or again is it the touring and your own support?
JOE: It is a combination of both.
ROB: For a record company to do things for you you’d have to get out and tour and be behind it yourself. It is just really hard for us to get a tour. We are dying to get out on the road and we were really disappointed when that thing got cancelled, but it is hard for us to hook up with an agent in the States.

METALLIAN: Is there anything you would like to add to this interview?
ROB: Thanks for picking up our album if you got it. If not, go out and buy it or we will kill you.
JOE: Come and see us!

This interview was originally broadcast on CRSG cable radio in Montreal.

If you enjoyed this, read Assassin







Sacrifice